{"id":30,"date":"2018-02-19T21:01:52","date_gmt":"2018-02-19T21:01:52","guid":{"rendered":"http:\/\/www.c21uwm.com\/endsofcinema\/?page_id=30"},"modified":"2018-03-15T17:47:41","modified_gmt":"2018-03-15T17:47:41","slug":"plenary-speakers","status":"publish","type":"page","link":"https:\/\/www.c21uwm.com\/endsofcinema\/plenary-speakers\/","title":{"rendered":"Plenary Speakers"},"content":{"rendered":"

Caetlin Benson-Allott<\/strong> (Georgetown) \"Caetlin<\/p>\n

Caetlin Benson-Allott is a Provost’s Distinguished Associate Professor of English and Film and Media Studies at Georgetown University, and the editor of Cinema Journal<\/em>. She is the author of Killer Tapes and Shattered Screens: Video Spectatorship from VHS to File Sharing<\/em>.<\/p>\n

James Leo Cahill<\/strong> (Toronto) \"James<\/p>\n

James Leo Cahill is an assistant professor in the Cinema Studies Institute at the University of Toronto. His first book, Cinema\u2019s Copernican Vocation: Zoological Surrealism and the Early Films of Jean Painlev\u00e9,<\/em> is forthcoming in 2018 from the University of Minnesota Press. He is currently a visiting professor at the Franke Institute for the Humanities at the University of Chicago. He is general editor of Discourse: Journal of Theoretical Studies in Media and Culture<\/em>.<\/p>\n

Francesco Casetti<\/strong> (Yale)\"Francesco<\/p>\n

Francesco Casetti is the Thomas E. Donnelley Professor of Humanities and Professor of Film Studies at Yale University. His most recent book, The Lumi\u00e9re Galaxy: Seven Key Words for the Cinema to Come<\/em>, is a study of the reconfiguration of cinema in a post-medium era.<\/p>\n

\"MaryMary Ann Doane<\/strong> (Berkeley)<\/p>\n

Mary Ann Doane is the Class of 1937 Professor of Film and Media at the University of California, Berkeley. A leading figure in the study of gender in film, she is the author of\u00a0Femmes Fatales: Feminism, Film Theory, Psychoanalysis<\/em> and\u00a0The Emergence of Cinematic Time: Modernity, Contingency, and the Archive<\/em>.<\/p>\n

Andr\u00e9 Gaudreault<\/strong> (Montreal)\"Andre<\/p>\n

Andr\u00e9 Gaudreault is a professor of Art History and Cinema Studies at the Universit\u00e9 de Montr\u00e9al, where he is director of GRAFICS. He is co-author, with Philippe Marion, of The End of Cinema?: A Medium in Crisis in the Digital Age<\/em>.<\/p>\n

 <\/p>\n

\"MichaelMichael Gillespie<\/strong> (City College of New York)<\/p>\n

Michael B. Gillespie is an associate professor of film in the Department of Media & Communication Arts and the Black Studies Program at the City College of New York (CUNY).<\/p>\n

 <\/p>\n

Jean Ma<\/strong> (Stanford)\"Jean<\/p>\n

Jean Ma is an associate professor of Art and Art History at Stanford University. Her most recent book is Sounding the Modern Woman: The Songstress in Chinese Cinema<\/em>.<\/p>\n

 <\/p>\n

\"AmyAmy Villarejo (Cornell)<\/strong><\/p>\n

Amy Villarejo is a professor of Performing and Media Arts at Cornell University. She has published widely in cinema and media studies with a focus on feminist and queer media, including most recently\u00a0Ethereal Queer: Television, Historicity, Desire<\/em>. She was recently named the first faculty director for the Milstein Program in Technology and Humanity.<\/p>\n","protected":false},"excerpt":{"rendered":"

Caetlin Benson-Allott (Georgetown) Caetlin Benson-Allott is a Provost’s Distinguished Associate Professor of English and Film and Media Studies at Georgetown University, and the editor of Cinema Journal. She is the author of Killer Tapes and Shattered Screens: Video Spectatorship from VHS to File Sharing. James Leo Cahill (Toronto) James Leo Cahill is an assistant professor … Continue reading Plenary Speakers<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-30","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.c21uwm.com\/endsofcinema\/wp-json\/wp\/v2\/pages\/30","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.c21uwm.com\/endsofcinema\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.c21uwm.com\/endsofcinema\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.c21uwm.com\/endsofcinema\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.c21uwm.com\/endsofcinema\/wp-json\/wp\/v2\/comments?post=30"}],"version-history":[{"count":10,"href":"https:\/\/www.c21uwm.com\/endsofcinema\/wp-json\/wp\/v2\/pages\/30\/revisions"}],"predecessor-version":[{"id":82,"href":"https:\/\/www.c21uwm.com\/endsofcinema\/wp-json\/wp\/v2\/pages\/30\/revisions\/82"}],"wp:attachment":[{"href":"https:\/\/www.c21uwm.com\/endsofcinema\/wp-json\/wp\/v2\/media?parent=30"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}